Interactive digital narratives are profoundly reshaping the preservation inheritance andinnovation of cultural heritage. However existing research lacks a systematic theoretical framework and aholistic developmental perspective. Based on literature review and analysis this study reveals thetheoretical genealogy and evolutionary characteristics of interactive digital narratives in the context ofcultural heritage further constructing an ecological framework that encompasses multidimensionalelements and their interrelated mechanisms. The research demonstrates that this field is undergoing severaltransitions theoretically from technological determinism to the dialectical integration with digitalhumanities technologically from singular applications to intelligent integration narratively from formalinnovation to cultural interpretation and practically from unidirectional presentation to immersiveexperience and social collaboration. Based on a profound analysis of the innovation landscape the studyargues that future research should prioritize cultural value preservation as its core leverage technologicalempowerment as its driving force and foster sustainable cultural narrative ecosystems throughinterdisciplinary collaboration and multi-stakeholder co-creation thereby promoting the creativetransformation and innovative development of cultural heritage.

The design of cultural and creative products in public libraries serves as an important pathwayfor the creative transformation and innovative development of high-quality cultural resources in theircollections. It is also a significant vehicle for promoting excellent traditional culture advancing universalreading and building a society imbued with the fragrance of books . Based on empirical research intothe current practices of cultural and creative product development in domestic and international librariesas well as insights into consumer attitudes and user behaviors this study discusses several key issues suchas development goals target audiences intellectual property pricing strategies and revenue sharing.Furthermore it proposes several core values for the design of cultural and creative products in publiclibraries it should activate library collections and leverage the library‘s educational functions fulfill the library’s mission and empower the promotion of   reading for all explore collection resources andpromote excellent traditional culture prioritize children‘s cultural and creative products with appropriateguidance enhance the library’s image and highlight the value of library space and adopt preferentialpricing strategies to support the librarianship profession.

From the perspective of users‘ diverse demands, this article constructs a Kano model analysisframework to examine the design elements of library cultural and creative products. A mixed-methodsresearch approach is adopted. Firstly, the concept lattice method is used to conduct text mining on usercomment data, combined with theoretical analysis and expert interviews, to systematically identify thecore components of library cultural and creative product design. Secondly, through the Kano model,these elements are classified, and their influence on user satisfaction is quantitatively evaluated through themixed-category and Better-Worse index methods. It further analyzes the differentiated demandcharacteristics among different consumer groups with varying levels of purchasing willingness. Finally,based on these findings, the paper proposes an optimized configuration scheme for the design elements oflibrary cultural and creative products. The research provides theoretical support and practical guidance forthe innovative development of library cultural and creative products, and offers a reference for enhancinguser satisfaction through demand-oriented design.

Amid the thriving cultural and creative industries and the expanding role of universitylibraries the development of cultural and creative products has become a critical approach for universitylibraries to innovate services and activate resources. University libraries are endowed with distinctadvantages derived from extensive archival resources unique cultural heritage and a diverse user community. However such initiatives in Chinese university libraries remain in a nascent stage facing arange of challenges. From the perspective of university libraries this paper analyzes the current status ofcultural and creative product development in China explores existing issues and offers forward-looking recommendations. The goal is to provide both theoretical support and practical references for this evolvingfield.

Public libraries, as vital institutions for the preservation and transmission of cultural heritage,increasingly turn to cultural and creative intellectual property (IP) development as an effective pathwayfor revitalizing their collections and promoting traditional Chinese culture. Taking the collection revitalization practices of Shanghai Library as its research subject, this paper focuses on the visual transformation of two-dimensional printed materials and the strategies for balancing public welfareorientation and market demands. By constructing a visual narrative-based IP development model andanalyzing cases from the library’s cultural product initiatives, the research systematically examines thesynergistic mechanisms of technology empowerment, symbolic translation, and scenario reconstruction inactivating cultural genes. Findings indicate that incorporating visual narrative into cultural products effectively bridges the gap between the intrinsic value of historical documents and public perception. This approach strikes a dynamic balance between the public service missions and commercial viability, whileproviding a replicable framework for transforming printed materials into engaging cultural products.

Literature donation is one of the important ways for libraries to enrich their collections yetcurrent donation management practices still face challenges such as complex processes lack of donor relationship management and insufficient visibility of donated literature. Through an investigation of literature donation models policies and methods in domestic and international university libraries this study examines the systematic construction of literature donation services and introduces the idea of auser-demand-oriented literature donation management platform which clarifies the donation processoffers real-time feedback and ensures effective management of the donated materials. This study providesan effective way for university libraries to optimize their literature donation services.

The thoughtful construction of reading scenes in public libraries can create a pleasant readingatmosphere and give readers a better reading experience. On April 23 2024 Heping Library the first24-hour city park library in Shanghai officially opened. Based on the core elements of person-objectscenarioin scene theory the paper subdivides the scenes according to the reader types and needs andconstructs multiple scenes from the aspects of spatial facilities the library + park model 24-hourservice and reading promotion activities. The paper also expounds the construction process of HepingLibrary‘s scene-based mode and further explores how public libraries can build reading scenes aligningwith readers’ portraits spatial planning and readers‘ actual reading needs through the practice of sceneoperation so as to contribute to the development of urban public cultural ecosystem.

This paper explores the approaches of art university libraries in constructing Future LearningCenters. Drawing on a needs assessment involving faculty and students from nine leading art academiesin China the study identifies prominent demands for design and emerging art resources a strong focus onthe application of Al tools an urgent need for multifunctional spatial development and high disciplinaryexpertise requirements for embedded services. By analyzing global trends in art and design universitylibraries it emphasizes the need to build specialized art information resource systems smart servicesystems comprehensive learning spaces and resource-sharing alliances. Using the Guangzhou Academyof Fine Arts Library as an example the paper proposes advancing the construction of Future LearningCenters through four dimensions art resource centers learning centers innovation technology centersand professional support service centers.

Clarifying the dilemmas and countermeasures for building a digital humanities academiccommunity is an inevitable requirement for the prosperity of digital humanities research in China. Thispaper takes the widely recognized model of academic community as a reference to analyze the corecomponents of a digital humanities academic community. Through online research and case studies andin light of the current development of digital humanities in China it summarizes the realistic dilemmasfaced in community building at the present stage and proposes the practical pathways for future growth.The study finds that the research subject field activity space and mechanism are the basic elements of such a community. Present dilemmas include the absence of a comprehensive theoretical system the lackof independent and authoritative academic organizations insufficient extensive and timely communication platforms and the absence of targeted policy guidelines. In response the paper proposes that rationalization specialization internationalization and localization are the practical approaches for thefuture construction of the digital humanities academic community.

The purpose of this study is to explore the application and effectiveness of the large language models LLMs in the task of automatic word separation in cross-linguistic canonical texts with a focuson addressing segmentation differences between ancient and modern Chinese. It explores how LLMs canimprove the accuracy and efficiency of word separation. This study not only provides a new way fordigitization of ancient literature and enrichment of language resources but also provides technical supportfor comparative literature and cross-cultural research. In this study Xunzi-Qwen1. 5-7B Xunzi-Baichuan2-7B Xunzi-GLM3-6B and their corresponding base models Qwen1. 5-7B-Base Baichuan2-7BBase and Chatglm3-6B-Base were selected to conduct cross-linguistic canonical lexicography experiment. Based on the Zuo Zhuan a cross-lingual canonical lexicon dataset containing ancient Chinese and modern Chinese was constructed and the data cleaned labeled and integrated. The dataset waspartitioned into training sets of 500 1000 2000 and 5000 entries and each model was fine-tuned with commands based on these subsets to test and compare their performance in cross-language word segmentation tasks. The experimental results showed that LLMs have a significant performance advantage in cross-linguistic canonical word segmentation. Even with smaller scale training data the model could demonstrate a high accuracy of word segmentation. The results validated the effectiveness and potential of LLMs in dealing with cross-era and cross-lingual textual word segmentation and provided valuable references and insights for subsequent research on ancient book digitization and language technology.

The digital conservation and cultural inheritance of traditional villages have long been a global research and practice hotspot. While rapid progress has been made persistent challenges remain. The proposal of a new quality productivity theory has opened up a range of new possibilities for the digital conservation and cultural inheritance of traditional villages. The forward-thinking and pioneering concept of  new quality serves as the core driving force with the optimal combination of three major system elements a new type of labor force a new labor tools and new labor objects. The four major characteristics of the new quality productivity system namely innovation-driven green and low-carbon humanistic and openness-integration can be fully realized making it possible to explore the new ways through which  new quality can empower the digital conservation and cultural heritage of traditional villages. The study identifies optimal way of such conservation and inheritance contributing new ideasand methods to advance digital conservation and inheritance of traditional villages.

The rebranding of Information Resource Management as a first-level discipline for graduate education has presented new opportunities and challenges for the professional education in this field.Based on previous research this study aims to accurately grasp the latest development trend of the discipline through collecting and analyzing professional education data at all levels from 2022 to 2025.Research has found that ① The scale of the discipline cluster in Library Information and Archival Science and Information Resource Management has further expanded. As of August 2024 there are atotal of 125 programs at the undergraduate level and above including 50 undergraduate programs 106master‘s 56 academic and 90 professional 21 doctoral programs 16 postdoctoral mobile research stations and 4 vocational colleges. ② The discipline distribution is more balanced which has to some extent improved the previously imbalanced pattern of relatively concentrated resources. However disciplinary structure continues to be optimized showing a stable scale of undergraduate education and arapid development of master’s education-particularly in applied fields. Doctoral education continues togrow steadily. Overall the discipline is in a critical period of improving quality efficiency transformation and upgrading. In the future it should align closely with national strategic prioritiesaccelerate the construction of  new liberal arts strengthen the integration of science-education andindustry-education highlight the cultivation of interdisciplinary and applied talents and enhance itsability to serve economic and social development. We should leverage our own advantages deepen cross disciplinary integration actively expand cutting-edge emerging fields and seize the opportunity in thenew round of technological revolution and industrial transformation.

As an important research output scientific software plays a pivotal role in modern scientific research. However its academic value is often under estimated leading to a range of problems such asduplicate development and wastage of research resources. These problems mainly stem from the lack of recognition within the academic community and the imperfection of the academic evaluation system.Therefore it is necessary to correctly understand the impact of scientific software on scientific research and incorporate scientific software into the academic evaluation system. Drawing on multi-source data andmultiple methods the book Research on Intelligent Recognition and Impact Measurement of ScientificSoftware by Dr. Pan Xuelian systematically studies the automatic identification of scientific softwareentities in full-text databases the measurement of software impact and the use citation and outputcontribution of scientific software at home and abroad. It provides a new perspective and viewpoint of scientific software for research output evaluation. The book has robust data sources well-founded methods clear arguments and reliable conclusions which provides inspiration for the research output evaluation. It not only enriches the research content and methodological tools of the field but also offers important reference to relevant departments in China to increase investment in scientific software researchand development and explicitly incorporate scientific software into the evaluation system of research output.

The  transcripts of Doushi Lianzhu Ji transcribed by Qi Zhaonan in the Qing Dynasty collected by the Library of the Chinese Academy of Sciences and the Tianjin Public Library respectively are all forgeries of the booksellers. As a corroborative edition for the forgery of these two transcripts is acopy of Xu Yonghao from the National Library of China. The so-called red handwriting of Qi Zhaonan inthe header and footer of the book is actually recorded by He Zhuo and Lao Quan. The two postscripts of Qi Zhaonan at the end of the volume were actually copied by the bookseller from Xu Yonghao and LaoQuan. The poetry nominated for Xin Shan Gua Ting Zi Gui in the transcripts was not supplemented by QiZhaonan but was recorded by Huang Pilie in the 15th year of the Jiaqing reign of the Qing Dynasty1810 based on the Song Dynasty’s edition. The seals of Qi Zhaonan and Yan Yuanzhao stamped in thetranscripts are also forged by booksellers. These two manuscripts might be forged after May of the 24thyear of the Qing Dynasty‘s Daoguang reign 1844 and before July of the first year of the Republic ofChina 1912 . The perpetrator may be Tan Xiqing who is the owner of the Zhengwen Study.