Abstract: The influence of the Xi Yu Quan Shu on the Tibetan chorography in the Qing Dynasty can be
divided into direct and indirect influences. The directly affected include Xi Zang Zhi Kao, Xi Zang Zhi, Xi
Zang Kao. The title and content of the category of Xi Zang Zhi Kao are almost the same as the original
version of Xi Yu Quan Shu, while the order and contents of Xi Zang Zhi coincide with the supplementary
version of Xi Yu Quan Shu. The indirect influence refers to that Xi Yu Quan Shu affect Xi Zang Ji and Wei
Zang Tu Zhi, etc via Xi Zang Zhi. The indirect influence shows that the compilation of Tibetan Records
takes Xi Zang Zhi as an important reference, or copies Xi Zang Zhi in full, or adds or deletes slightly on the
basis of Xi Zang Zhi, or re-edits the words order, etc

Key words: Xi Yu Quan Shu, Xi Zang Zhi Kao, Xi Zang Zhi