图书馆杂志

图书馆杂志 ›› 2020, Vol. 39 ›› Issue (5): 120-126.

• 文献考论 • 上一篇    下一篇

高凤翰佚跋七则辑释

徐时云   

  • 出版日期:2020-05-25 发布日期:2020-05-25
  • 作者简介:徐时云 女,扬州市图书馆,古籍部副主任,馆 员。研究方向:古典文献整理与研究。 E-m a i l: 1506927297@qq.com 江苏扬州 225000

A Transcription and Textual Study of Gao Fenghan’s Seven Inscriptions

Xu Shiyun   

  • Online:2020-05-25 Published:2020-05-25

摘要: 高凤翰为清代著名书画家,“扬州八怪”之一。除在书画上有巨大成就外,其所作书画
题跋在艺术理论上也颇有见地。扬州市图书馆馆藏二种高凤翰所购古籍上新发现高氏未刊题跋七
则,内容多为高氏对所购古籍的论述、题诗及购书背景等,尚未为学界所知。本文特对这些题跋
略做一考释,既可据以了解高凤翰在古籍版本鉴赏方面的水平,亦可据以管窥高氏仕途生涯的坎
坷,为研究高凤翰的学术思想和生平提供新的实例线索。


关键词: 高凤翰 , 题跋 , 考释

Abstract: As one of the “Eight Eccentrics of Yangzhou”, Gao Fenghan (1683–1749) was an eminent
painter and calligrapher in the Qing Dynasty (1644–1912). Not only is he renowned for his significant
achievement in Chinese painting and calligraphy, but his inscriptions and colophons also contain insights
into art theories. Yangzhou Library’s collections include two rare books purchased by Gao, in which
seven hitherto unpublished inscriptions were recently discovered. They are mostly Gao’s commentaries,
poems, and purchasing background concerning the books, though their scholarly values have not been fully
recognized. This examination of the seven inscriptions helps to understand Gao’s connoisseurship of rare
books and reveals a career path beset with difficulties. Through this, we may glean new examples and clues
for the study of Gao’s intellectual thoughts and life.

Key words: Gao Fenghan, Inscriptions and colophons, Textual study