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图书馆杂志

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当“花园”邂逅“世情小说”:以读者接受美学为中心

裘兆远   

  • 出版日期:2017-04-24 发布日期:2017-04-25
  • 作者简介:裘兆远 苏州大学文学院博士生。E-mail:q_zy@qq.com 江苏苏州 215006

Gardens in Relationship Novel: A Reader Response Approach

Qiu Zhaoyuan   

  • Online:2017-04-24 Published:2017-04-25

摘要:

自明代中后期盛行起来的“世情小说”的代表作中,普遍设有一个形貌鲜明的人物活动空间——“花园”,从而成就了其独有的美学韵味和艺术效应,并且逐渐演变为一种叙事表达的需要。花园与小说分属于空间和时间两种艺术类型,当两者邂逅后发生的美学意蕴,可归纳为“世情之真”与“花园之幻”的交织、“世情之俗”与“花园之雅”的对接和“世情之伦理”与“园林之情欲”的对抗这3种读者审美接受形 式。

关键词: 花园, 世情小说, 美学意蕴

Abstract:

The relationship novels, flourishing in the middle of Ming dynasty, have a distinctive element in common: private garden as space for interactions among figures, which thus produces unique aesthetic charm and artistic effect, and gradually evolves into a kind of narrative expression. Garden and novel are
two types of art: space and time, whereas the merger of two forms a more primitive but aesthetic contrast: the “reality” of relationship vs. the “fantasy” of garden, the “mundanity” of relationship vs. the “elegance”of garden, and the “ethics” of relationship vs. the “lust” of garden.

Key words: Garden, Relationship fiction, Aesthetic implication